Reggie Woolery is artist, educator, writer, and native of Detroit, MI.

His writings on photography, film, and culture have appeared in BOMB, TRANS, Felix, NKA Journal of African Art, Black Film Review, Artscope, and FUSE: Arts & Culture Journal in Toronto, where he served as contributing editor.

Reggie Woolery was a critical studies fellow at The Whitney Museum of American Art ISP and was an invited fellow to the Society for Humanities at Cornell University for the year-long seminar, The Virtual: Old & New. He has done residencies at Banff Centre for the Arts, and Studio Pass at Harvestworks. Woolery received his BFA from Parsons School of Design in Photography and Illustration and MPS in Interactive Telecommunications from New York University’s Tisch School of the Arts.

Reggie’s multimedia work World Wide Web Million Man March, premiered in “Translocations” at The Photographer’s Gallery, London and is part of “Signal to Code: 50 Years of Media Art” in the Rose Goldsen Archive at Cornell University. It is also featured in the essay, Black High Tech Documents by Erika Muhammad, part of the anthology Struggles for Representation: African American Documentary published by Indiana University Press.

While Director of Digital Studio at the University of California Riverside, California Museum of Photography and through his own venture Radio Free Hamptons, Reggie Woolery has engaged communities in innovative approaches to artmaking and activism. He has curated programs for Creative Arts Workshop, Charles H. Wright Museum of African American History, Images Festival Toronto, The Brooklyn Museum, Artists Space, The Kitchen, The Knitting Factory, American Film Institute, and New Art Center in Newton MA, where he served as Deputy Director of Education.